Tag: Exhibitions

A Head On photo festival exhibitionSandy Edwards is known for her role as Director of ARTHERE which supports photographe...

In this class with Little Rowan Redhead- you will learn how to design and carve your own stamps which you will then use ...

With an extraordinary mix of in-your-face documentation and dark fantasy- leavened with images showing genuine affection...

A celebration of the best of Australian photojournalism- the Paper Tigers -exhibition features sixty images from sixty o...

Feed your wanderlust

The Little Bliss on Hand is an art exhibition featuring handcrafted Japanese flower arrangement miniatures at Library Sculpture Plinth- Gallery Lane Cove.This collection experimented with a crossover of two Japanese art forms. Handcrafted ribbon art flower miniatures are arranged with traditional ikebana aesthetics to show how nature's beauty can be presented in small spaces.Peggy Tang practises Ribbon Art Flower and Ikebana (traditional Japanese art of flower arrangement). She is certified as Senior Instructor in Hase Yoshiko Ribbon Art and has completed Associate Teachers' First Term Course at Ohara School of Ikebana. Her work brings the beauty of nature to our daily life - our home- office desktops- clothes decorations- etc. Her artworks have been displayed in solo and group exhibitions in Australia and Japan.In these strange times- Peggy hopes this exhibition would bring you joy.

Art2Muse Gallery presents 'New Beginnings' by Conchita Carambano.Conchita Carambano's style is highly recognisable and yet profoundly enigmatic. There is an elegance and a maturity in Conchita's abstract paintings infused by an instinctive gift with colour- line and form. The Australian landscape- our earth- have been a constant source of inspiration. It has fuelled her exploration and creativity.Her vehicle for expression has been boundary-less- and the potency of her work has fuelled an extraordinary career that continues to gather momentum. Awards- acquisitions- civic and corporate commissions- solo exhibitions and the attention of private collectors in Australia- Asia and the Middle East punctuate Conchita's burgeoning 30 year career.'When I start a painting- I focus on an idea or experience I once encountered- and let my feelings take control. At times the reaction I get is that the painting starts to take on a completely new direction to the initial one I had in mind. It takes on its own character as it were- however I am its creator and to this extent I have complete control over the end result. Because I detect this 'character'- I'm able to detect the new direction that the painting is taking and stay in complete control of its final outcome. I feel this is important to an artist. I can honestly say that when I paint a painting based on a sad feeling- I can always look at it and find it very beautiful and rewarding.' - Conchita CarambanoCovid-19 guidelinesArt2Muse is a registered Covid safe business and we can accommodate up to 6 guests in the gallery. If you are unwell- we kindly ask you stay home until you are feeling better.All artworks are available to view online and we offer a range of complimentary contactless services. Please email us for further information.

There's a kind of innocence and earnestness to looking up at the clouds. It's something we do as children - searching for shapes- glimpses of meaning that might suddenly give form to the expansive and changing sky. This yearning to explore and make sense of our world is lost as we grow. When we're not looking down- we look up and feel suddenly small- distant to whatever lays beyond and at the same time- completely at its mercy.It's this notion of the sublime that Jackson Farley uses as the backdrop to his work- but rather than surrendering to these systems of value at play- he peers through - poking and prodding- making fun and inserting his own narrative.His images- taken on his iPhone and blown up 17 times to scale- are riddled with Jackson's mark making- zany loose drawings overlay the forms of clouds- rock faces and flowers and he uses text to give voice to the anecdotes and narratives at the heart of each work. Whether it's 'i miss you' sprawled out over the heavens or lyrics to Taylor Swifts 'We Are Never Ever Getting Back Together' tagged onto 'Jesus' tomb'- each mark becomes a catharsis and speaks to a kind of universal history - a mourning for naivety- lost love and family departed.In Jackson's video work- which shares the exhibition's title- we see a tangible 69th edit of the Bible. The Old and New Testaments are collaged together with the artist's personal narrative to create a hypnotic world that embellishes the fantastical nature of the original text. The crucifix that Jesus died on finds its voice and 'naughty' escapades ensue in the party to end all parties- where the faithful are turned into 'techno fish' and father and son finally have that much needed talk.Using irony- afforded by combining seemingly 'pure' and 'impure' imagery and text- Jackson channels the subliminal and parodies the way in which we see ourselves and our world. With the crudeness of slapstick- schoolboy humour and sexual innuendo- this body of work speaks to the irony of religion- god and notions thereof- whilst also conversely- being just as sentimental- heart-felt and self-reflective.In many ways- TESTAMENT PT. XXXXXXVIIII plays with value: we search for identifiable shapes in the clouds- find ourselves in the lyrics of Taylor Swift songs and we cannot help but identify the number 69 with oral sex. These dualisms almost appear as compulsions- competing for primacy within the spaces of image and video- one sitting alongside the other. They speak to the pathos and hierarchy of Catholicism- whilst also pointing out its irrevocable contradictions.Covid-19 guidelinesIn light of the Covid crisis and to ensure your safety we request that all visitors register upon entry and maintain social distancing. Private viewings can be arranged call or email the gallery to book a time.

Lilthai Dreaming is an exhibition of Indigenous Australian Art encompassing paintings- bark paintings- and ceramicsBibi Barba - Saltwater Women-Woka Woka- Dungutti- Cammeraygal- Gadigal- Yuin Nation 'Like many artists- my work tells a story. It's about my connection to family- to the land- where I was born- my struggles and triumphs.'Warnayaka Collection Warnayaka Art Centre is located in the community of Lajamanu- 580kms south west of Katherine- Northern Territory in the Tanami desert.The most important thing expressed by the artists across the generations is the need to preserve and pass on the knowledge of Warlpiri culture. This encompasses not only art- but includes language- social structure- law and country.Lorna Morgan Biddy Yulngarri Jurrah-LongRosie Murnku Mark TasmanMyra Patrick HerbertJudy MartinKitty Napanangka SimonElizabeth Nungarrayi RossBiddy Timms NapanangkaMolly Jinjingarli TasmanLily HargreavesThe safety of our visitors- artists- teachers- staff and volunteers is vital.We are observing strict physical distancing and hygiene measures to protect the health of visitors and staff and minimise the spread of Covid-19.These include enhanced cleaning regimes- social distancing and limits on the number of people in the gallery- sanitiser and hand washing facilities and changes to our class sizes.Don't visit if you're unwell or- if in the last 14 days- you have experienced cold or flu symptoms- have returned from overseas or have been to or had contact with someone from a Covid hotspot. Visitors are required to provide their name and contact details on arrival at the Gallery- to support contact tracing in line with NSW Health rules and our Covid-Safe plan.floor markings and signage to help visitors maintain safe distances.There are limits on the number of visitors overall and the Gallery space has its maximum capacity- based on the rule of 1 person per 4 square metres.Please don't touch the artworks.We are also available for private viewings of our exhibitions by prior arrangement.