Tag: Nature

Last Minute Productions-Studio RCC and Higher Ground Consulting Agency bring you #GetInTheGame. A 6-week media training and brand development course.Hosted by veteran journalist Simone Amelia Jordan- this course highlights the importance of identifying and crafting clear key messages for artists and entrepreneurs- and delivering them in an engaging way to media. Please see bio belowWhat you get out of it:Learn how to construct a powerful and authentic professional imageGain insight into how media works and identify which outlets make the most sense for you and your brandParticipate in media training for interview protocol and techniquesMaster your social media presence- create a content calendar- and start studying your audience for growth.Obtain general insight into the music and entertainment business.Week by week:Week 1: Personal BrandingWeek 2: Understanding The MediaWeek 3: Media TrainingWeek 4: Media Training [Part 2]Week 5: Social MediaWeek 6: What's Next?Bookings available hereMeet Simone Amelia JordanSimone Amelia Jordan is a journalist- host and brand consultant with two decades of media and marketing experience in Australia and the United States.Her lengthy experience in music journalism has allowed her to pivot into content creation and personal development for emerging artists and brands via her start-up business- Higher Ground Consulting Agency.Simone has held senior positions at Channel 10- The Source Magazine- Daily Mail- SiriusXM Radio- DrJays.com- Monster Products and founded and edited Australia's most successful Hip-Hop-R&B magazine- Urban Hitz- when she was 23 years old.Her celebrity interviews on YouTube have over 12 million views and she was chosen as one of five women in the world to design a signature sneaker for Reebok Classics' 'Classic Beat' campaign in October 2012.Simone has worked across print- radio- TV and digital arms of media and has been an active mentor for young women since the beginning of her career.Disclaimera. To the extent permitted by law- The City of Sydney- its officers- employees- agents and contractors are not liable for any personal injury- loss or damage to property or financial loss (including payment of medical expenses) any individual may suffer whilst participating in online programs and activities presented by The City of Sydney andb. By participating in City of Sydney online programs- individuals accept that they do so at their own risk and accept that they waive and forego any legal right that they may otherwise have against the City of Sydney and or against its officers- employees- agents and contractors StudioRCC programs are for 18years and over- any participants under 18yrs younger must be accompanied by an adult.)

There's a kind of innocence and earnestness to looking up at the clouds. It's something we do as children - searching for shapes- glimpses of meaning that might suddenly give form to the expansive and changing sky. This yearning to explore and make sense of our world is lost as we grow. When we're not looking down- we look up and feel suddenly small- distant to whatever lays beyond and at the same time- completely at its mercy.It's this notion of the sublime that Jackson Farley uses as the backdrop to his work- but rather than surrendering to these systems of value at play- he peers through - poking and prodding- making fun and inserting his own narrative.His images- taken on his iPhone and blown up 17 times to scale- are riddled with Jackson's mark making- zany loose drawings overlay the forms of clouds- rock faces and flowers and he uses text to give voice to the anecdotes and narratives at the heart of each work. Whether it's 'i miss you' sprawled out over the heavens or lyrics to Taylor Swifts 'We Are Never Ever Getting Back Together' tagged onto 'Jesus' tomb'- each mark becomes a catharsis and speaks to a kind of universal history - a mourning for naivety- lost love and family departed.In Jackson's video work- which shares the exhibition's title- we see a tangible 69th edit of the Bible. The Old and New Testaments are collaged together with the artist's personal narrative to create a hypnotic world that embellishes the fantastical nature of the original text. The crucifix that Jesus died on finds its voice and 'naughty' escapades ensue in the party to end all parties- where the faithful are turned into 'techno fish' and father and son finally have that much needed talk.Using irony- afforded by combining seemingly 'pure' and 'impure' imagery and text- Jackson channels the subliminal and parodies the way in which we see ourselves and our world. With the crudeness of slapstick- schoolboy humour and sexual innuendo- this body of work speaks to the irony of religion- god and notions thereof- whilst also conversely- being just as sentimental- heart-felt and self-reflective.In many ways- TESTAMENT PT. XXXXXXVIIII plays with value: we search for identifiable shapes in the clouds- find ourselves in the lyrics of Taylor Swift songs and we cannot help but identify the number 69 with oral sex. These dualisms almost appear as compulsions- competing for primacy within the spaces of image and video- one sitting alongside the other. They speak to the pathos and hierarchy of Catholicism- whilst also pointing out its irrevocable contradictions.Covid-19 guidelinesIn light of the Covid crisis and to ensure your safety we request that all visitors register upon entry and maintain social distancing. Private viewings can be arranged call or email the gallery to book a time.

One of our favourite Tasmanian vineyards is about to release a new vintage- and we're celebrating with an exclusive dinner to showcase each new wine.Bay of Fire wines are distinctly Tasmanian- produced from hand-picked local fruit- specially selected for quality and character. Each fruit parcel is kept separate so it can be constantly assessed in order to capture its unique essence at precisely the right moment. And then- in the finest oak available- the fruit is given the freedom to let nature work its magic. The evidence of the alchemy of this winemaking practice can be experienced in each and every Bay of Fires Wine.Starting at 7pm on Thursday 5 November- enjoy a 3-course dinner and appetiser- plus six wines for $99 per person.We are adhering to strict hygiene measures and social distancing regulations.

BAD Sydney presents a star-packed in person festival on 7-8 November at the State Library of NSW. See Kate McClymont- Gary Jubelin- Jess Hill- Michael Robotham- Caroline Overington- Chris Hammer- Tom Keneally- Nick Kaldas- Jana Wendt and many more.As always- there's plenty of crime and thriller fiction with Australian greats like Garry Disher- Michael Robotham and Chris Hammer as well as rising stars. Journalists explain why they turned to (fictional) crime. Fiction icon Tom Keneally talks to us about his view of the nature of evil and we explore writing about Auschwitz in fiction after 75 years.Like every year- we look at true crime - the first Australian serial killer with Tanya Bretherton or more recent Sydney crime with Kate McClymont. Top ex-NSW police Nick Kaldas- Gary Jubelin and Deb Wallace talk about their experience of policing. Speakers with personal knowledge tell us about experiencing the prison system and the impact of crime on victims and their families. We investigate wider criminal and social justice issues like modern slavery and the prevalence of domestic abuse as well as what can be done about it with Stella prize winner Jess Hill Are we in danger of turning into a security state asks Brian Toohey? Can we trust the justice system to make the right decisions queries Xanthe Mallett?Tickets start at just $10 for online sessions- and tickets to attend in person are extremely limited due to social distancing restrictions- so get in quick.This year we are restricted to 30 people in the audience for each event following NSW health regulations. We are using two rooms in different parts of the Library. For the Metcalfe Auditorium- enter the Library from the Macquarie Street entrance. For the Dixson Room- enter the Library from the Mitchell Building entrance on Shakespeare Place facing the Botanic Gardens. Covid-safe measuresPlease look at the special conditions of entry to the library for these unusual times. Be reassured that we are following all advice to keep you save.

The Floral Decorator is a boutique florist hidden away in the heart of Erkineville in Sydney's inner west. With a team of dedicated- creative- passionate florists- working with you to create and design one-off floral designs- from a wide range of hand selected seasonal flowers hand selected from Sydney markets 3 early mornings a week.As a proud and culturally active Wurundjeri women- it has allowed her to stay connected to country and mother nature. It's a privilege that I honor with great respect that I work amongst this countries offerings. I feel blessed and guided by my ancestors to do what I love. Look forward to meeting you- come visit us in store.

A web talk- by Lyle Young- CSB- from Ottawa- Canada- available on big screens at Christian Science Church- Glebe- with social distancing and Covid-19 registration.Mary Baker Eddy- who founded the Christian Science church- had a profound insight into the nature of God as infinite Love. She perceived that God is the only substance- intelligence and Life of the universe- without the opposition typically ascribed to darkness or evil. Moreover- Eddy realised that this was the basis of Jesus' healing works.Such an unusual theology might have ended as a footnote to history- except that Eddy and her students boldly used it to reinvigorate Christianity and its lost element of healing. Since then- some 65-000 accounts of healing have been verified and published — healings of everything from cancer to AIDS to blindness- from drug addiction to broken bones.To the degree that we understand our identity as purely spiritual — knowing that each of us shines- now and eternally- as a unique expression of infinite Love — we experience healing. The result is wellness- opportunity- spiritual progress- and the highest degree of joy.Lyle Young- CSB is a Christian Science practitioner- teacher and lecturer. A deep and broad love motivates Lyle- a love of God- of the ideas in the Bible and in the published writings of Mary Baker Eddy. His love and affection for humanity is expressed in a keen interest in cultures- languages- history- the arts- and sports. Lyle runs and swims regularly and is a four-season cyclist. The latter sport relates to his support for the environment.

This exhibition celebrates our urban birdlife.With more than 80% of Australia's population living in cities- it might not feel like there's much room for nature. But a stroll through any Australian city proves there's no need to go bush to get in touch with wildlife.  However- with rapid urbanisation- they face a great challenge.  Many Australian bird species are declining in urban areas and declining overall.Its more important than ever to research- protect and provide education on the urban birds that surround us. Now more than ever- on behalf of the living world- we need to feel like we belong here- on the planet. That this is our home- but it is not ours alone.This exhibition is curated especially for BirdLife Australia Bird Week featuring works by printmaker Fiona Roderick- designers Eggpicnic and photographer Angela Robertson-Buchanan.This is a Covid safe exhibition. To comply there will be a limit of 8 in the gallery at one time. We will be on-hand to ensure social distancing within the gallery. There will be hand sanitiser available at the entrance.

Hybrid is an exhibition of 9 new works commissioned by the Powerhouse that interrogate the contemporary urban condition and explore the role of the home in 2030.Nine design studios have collaborated with researchers and practitioners from diverse industries to create furniture and objects exploring the rapidly changing global landscape and the most pressing issues of our time.The selected designers have responded to issues such as the global pandemic- poor air quality- bush fires- rising temperatures and wellbeing to premiere new objects ranging from a contemporary home shrine- objects to refocus and de-stress- a responsive light source that brings the experiences of nature into the home- a table from recycled plastic to artefacts developed from the objects left behind by the deceased.This is a COVID-safe event as part of Sydney Craft Week 2020.

2017 & 2018 Anywhere Theatre Festival Award Winner2018- 2019 & 2020 Brisbane Comedy FestivalBig Fork Theatre are...