Tag: Wellbeing

Rapid changes in policy- technology and how we design with the community have created an opportunity for customers to be...

This November- to mark the 50th Anniversary this year for Cape Mentelle- the 'Explore Your Horizon' exhibition is a uniq...

Esther Duflo and Abhijit Banerjee were winners of the 2019 Nobel Prize in Economics for their ground-breaking work on so...

Re-construction brings together artists- one community group and two curators to reread the legacy of Jack Mundey and the Green Bans. Jack Mundey's whole life was one giant spatial project. But he didn't need art to do what he did- he had the context of the union movement. Discussing Jack Mundey's concept of green bans and public space as a 'spatial project' in an art context- is implying a common link between the union movement and art- which makes us aware of the way both offer room for alternative thinking or challenges to mainstream thinking.Sydney's Green Bans were the world's first urban uprising over planning- heritage and housing justice. In 1971- an alliance of builders' labourers and musicians- wharfies and artists- pensioners and the suburban middle class made history. Mundey secretary of the Builders' Labourers' Federation- led his comrades to the environmental barricades in June 1971 alongside a united group of 'middle-class women' from Hunters Hill who fought to save a remnant of Sydney Harbour bush. This was the first of a series of important intersectional alliances with communities. It became a new political model. At the time Mundey was a non-doctrinaire communist who later joined the Greens party.Re-construction re-enacts and re-animates texts and slogans from the unofficial archives that record sit-ins or peace marches for civil rights- gay and lesbian or women's rights and environment movements. In this case a portion of Jack Mundey's papers donated to the Trades Hall Collection are reviewed at Sydney Trades Hall.Green Bans embraced other heritage suburbs- most of them working class and many involving saving low-cost or public housing but the Builders' Labourers' Federation fought targeted battles for the rights of women- Aboriginals and gays. The establishment Sydney Morning Herald was quick to call them 'mere builders' labourers' and 'proletarian town planners'- just conservationists were called 'mere housewives'. From Kellys Bush onwards- the green ban era was just 4 years until the de-registration of the NSW Builders Labours' Federation. The additional year dedicates 1975 to their legacy: the renewal of Woolloomoolloo Public Housing- proudly declared a 'world leader' for its architecture and consultation model.COVID-19 Safety Plan - Museums and galleriesWe follow NSW Health Guidelines. Wellbeing of staff- volunteers and visitors: Information and training on COVID-19- including when to get tested- physical distancing and cleaning is provided.Physical distancing: Entry signage advising 1.5 metres social distance- Maximum of 10 visitors. (More generous than one visitor per 4 square metres of space).Hygiene and cleaning: All resting points have sanitiser- bathroom has soap- sanitiser and paper towels- all surfaces cleaned twice daily.Recordkeeping: name and a mobile number or email address for all staff- volunteers- visitors is recorded for a period of at least 28 days.

Take your yoga equipment to the next level by shopping with our quick and stunning Indigenous design mats. We support Aboriginal artists in getting their designs out there and seen in day to day life. Jarin Street began by recognising the misuse of Aboriginal art and the industry's failure to protect the artists and Aboriginal designs- as well as a failure to highlight the artists themselves. It was also born out of wanting to create a pathway for all people to connect to Aboriginal artists and story through wellbeing in a way that was respectful and appropriately honours Aboriginal culture. We aim to provide ongoing ethical and sustainable support to the artists who contribute their work on your yoga mats and soon to come - ACTIVE WEAR. We encourage people of all walks of life to support Aboriginal artists and businesses through Jarin Street designs and products.

Increase flexibility- tone-up- improve your health and wellbeing. We have a brand new yoga timetable- we can't wait to see you.Timetable:Pilates: Monday- 6:30pmYoga: Tuesday- 12:30pmPilates: Thursday- 11:30amYoga: Friday- 12:30pmPilates: Friday- 5:30pmClasses are free for 360 All Access members- $21.60 for non-members- or trial for free with a 3-day pass- by visiting here.

Anywhere but here: MCA Primavera Acquisitions responds to the global upheaval of the coronavirus (COVID-19) outbreak. Recognising that pre-existing issues have been aggravated by the current crisis- it considers ideas of labour and domesticity- wellbeing and community- place and urbanism.The exhibition draws from the MCA's collection of works by artists who have participated in Primavera- the MCA's annual exhibition of young Australian artists aged 35 and under. While these works were created prior to the pandemic- it provides a lens for approaching them in new terms. Emma White questions capitalist demands on productivity- while Keg de Souza highlights housing instability and the importance of public space. Hiromi Tango invites us to experience the therapeutic benefits of movement and self-expression- and Dion Beasley draws us back to the local- encouraging us to deepen our social connections. The selected works highlight longstanding strains on society that need to be addressed.Anywhere but here borrows its title from a work by Matthew Griffin. As a throwaway statement- it's something any one of us might mutter under our breath in the present moment. Restlessness is one of many responses we could land on- as our emotions fluctuate along with the news cycle.While considering the immediate impacts of the pandemic on contemporary society- Anywhere but here meditates on the potential for lasting structural change.CuratorsStephanie Berlangieri and Lucy LatellaArtistsSuzannah BartaDion BeasleyShaun GladwellMatthew GriffinFelicia KanPaul KnightMoya McKennaJess MacNeilTV MooreNellKeg de SouzaHiromi TangoEmma White

Cloud Studies is the first solo exhibition in Australia by Forensic Architecture- a research agency comprised of architects- artists- filmmakers- journalists- scientists- lawyers and other specialists who undertake investigations into human rights abuses- state violence and environmental crimes around the world.Using the disciplinary tools of both architecture and forensics- Forensic Architecture have given rise to a new form of investigative practice that seeks to uncover- analyse and present evidence from the crimes of our recent past and consider the convergence of architecture- media- and violence.In Cloud Studies- Forensic Architecture contend with the interconnectedness of global atmospheres. The work brings together eight recent investigations under a single theme- toxic clouds. In a year of bushfire- pandemic and protest- where toxic clouds colonise the air we breathe and shape the way we connect- Cloud Studies presents evidence of perseverance and resistance.The exhibition is extended by related investigations and a publication- Responses to the Cloud- that explores the themes of Cloud Studies from a local context- with new writing by Joel Spring- Saba Bebawi- Jason De Santolo- Tom Melick- Nikki Lam- Thalia Anthony- Micaela Sahhar and curators Stella Rosa McDonald and Eleanor Zeichner. As part of our commitment to accessibility- audio recordings of these texts read by their authors are available below. Audio described tours of the exhibition are available on request.Covid-19 safetyWe want to keep you safe at UTS. Please follow these safety measures to safeguard the wellbeing of all our visitors.You must not visit UTS Gallery if you have: a cough- sore throat- fever- runny nose- loss of smell or loss of tastetravelled to a restricted area in the last 14 daysbeen diagnosed with Covid-19 or come into contact with someone who has been diagnosed in the last two weeksWhen at UTS Gallery you must: maintain 1.5 metres physical distance from others where possibleregister your contact details upon entry to UTS Gallery to enable contact tracing if necessaryuse the provided hand sanitiser at the entrance to the Galleryrespect those around you — pay attention to others' body language- take responsibility for your own behaviour and speak up if you feel uncomfortableGroups larger than 10 must be booked in advance by emailing utsgallery@uts.edu.au. Groups larger than 20 are not permitted.Further information on visiting UTS can be found at this information page.

Increase flexibility- tone-up- improve your health and wellbeing. Ian Thorpe Aquatic Centre has a brand new yoga timetable- we can't wait to see you.Timetable:- Yoga: Monday- 12:45pmPilates: Tuesday- 12:45pmPilates: Tuesday- 5:30pmYoga: Wednesday- 12:45pmYoga: Thursday- 12:45pmYoga: Friday- 12:45pmClasses are free for 360 All Access members- $21.60 for non-members- or trial for free with a 3-day pass- by visiting here.