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In the 1970s- the number of heroin addicts exploded in New York. The Black Panther party saw the epidemic as a form of chemical warfare against the poor and people of colour. So what do you do?With the charismatic Dr. Mutulu Shakur (Tupac's stepfather) at the head- a core of activists from the Black Panthers and the Puerto Rican Young Lords occupied an entire hospital in Harlem and gave thousands of people free treatment in the form of acupuncture instead of methadone. Their success was a thorn in the side of Nixon.Mia Donovan weaves fantastic archive footage together with today's continually inflamed disparity between race and drug abuse in the United States- and Dope is Death tells a highly up-to-date story about racism- guerrilla politics- civil disobedience and an unresolved bank robbery- which may have been a cover-up. The fact that the story is new to most of us is an important part of it. The lines can be drawn all the way down to today- as we begin to realise why we have never heard about it before.Australian Premiere- presented as part of Antenna Selects- a year-round program of physical screenings and events- featuring some of the best local and international documentaries.

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Dope Is Death documentary screening 2020

In the 1970s- the number of heroin addicts exploded in New York. The Black Panther party saw the epidemic as a form of chemical warfare against the poor and people of colour. So what do you do?With the charismatic Dr. Mutulu Shakur (Tupac's stepfather) at the head- a core of activists from the Black Panthers and the Puerto Rican Young Lords occupied an entire hospital in Harlem and gave thousands of people free treatment in the form of acupuncture instead of methadone. Their success was a thorn in the side of Nixon.Mia Donovan weaves fantastic archive footage together with today's continually inflamed disparity between race and drug abuse in the United States- and Dope is Death tells a highly up-to-date story about racism- guerrilla politics- civil disobedience and an unresolved bank robbery- which may have been a cover-up. The fact that the story is new to most of us is an important part of it. The lines can be drawn all the way down to today- as we begin to realise why we have never heard about it before.Australian Premiere- presented as part of Antenna Selects- a year-round program of physical screenings and events- featuring some of the best local and international documentaries.

From the team that brought you the Australian premier of The Spoils by Jesse Eisenberg (Flight Path Theatre)- and their own satire How to Change the World and Make Bank Doing It (Limelight on Oxford)- Michael Becker & Ian Warwick return with a brand new work.Produced by Fixed Foot Productions- previous credits include Hairworm by Emma Wright (Old 505 Theatre w- Eye Contact Theatre Company)- Xavier Coy's Distorted (Old 505 Theatre)- Caught Out (Bondi Feast) and Are You Listening Now? (Old 505 Theatre).CastPaul Ayre- David Halgren- Susan Jordan and Hannah Raven.Creative teamWritten and directed by Michael BeckerAssistant Director: Ian WarwickProduction Designer: Daniel AmpueroLighting Designer: Mehran MortezaeiProduced by Becky Matthews- Fixed Foot ProductionsCovid-19 guidelinesDue to Covid-safe restrictions- the number of seats are strictly limited for each performance. All seats are spaced 1.5 metres apart and entry into the venue will be managed to avoid crowding. Hand sanitiser is provided for use in the foyer. Face masks are not mandatory but strongly recommended. Chippen Street Theatre is a Covid-safe venue.

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Inner Weather by Michael Becker 2020

From the team that brought you the Australian premier of The Spoils by Jesse Eisenberg (Flight Path Theatre)- and their own satire How to Change the World and Make Bank Doing It (Limelight on Oxford)- Michael Becker & Ian Warwick return with a brand new work.Produced by Fixed Foot Productions- previous credits include Hairworm by Emma Wright (Old 505 Theatre w- Eye Contact Theatre Company)- Xavier Coy's Distorted (Old 505 Theatre)- Caught Out (Bondi Feast) and Are You Listening Now? (Old 505 Theatre).CastPaul Ayre- David Halgren- Susan Jordan and Hannah Raven.Creative teamWritten and directed by Michael BeckerAssistant Director: Ian WarwickProduction Designer: Daniel AmpueroLighting Designer: Mehran MortezaeiProduced by Becky Matthews- Fixed Foot ProductionsCovid-19 guidelinesDue to Covid-safe restrictions- the number of seats are strictly limited for each performance. All seats are spaced 1.5 metres apart and entry into the venue will be managed to avoid crowding. Hand sanitiser is provided for use in the foyer. Face masks are not mandatory but strongly recommended. Chippen Street Theatre is a Covid-safe venue.

In this beginner's guide to smarter photo editing you will learn how to navigate the Photoshop CC workspace in its entirety.You will be introduced to the following industry-standard techniquesLayersSelection ToolsMasksAdjustment LayersFiltersThe course will ensure you are confident in handling the basic functions of this powerful program.The ACP will provide computer workstations for all students during the class.This course runs at the same time on the same day- every week over five weeks with a maximum class size of seven participants. Prerequisites and RequirementsThis course requires no previous experience.Photoshop CC for practice at homeNotebook and penA USB for saving workPlease review our FAQ for terms and conditions of enrolment.A bundle discount of 15% is available if you enrol in multiple classes. Email workshop@acp.org.au for more information.Introduction to Adobe Photoshop is also available as an online class- check out dates and enrolment details HERE!

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Introduction to Adobe Photoshop course 2020

In this beginner's guide to smarter photo editing you will learn how to navigate the Photoshop CC workspace in its entirety.You will be introduced to the following industry-standard techniquesLayersSelection ToolsMasksAdjustment LayersFiltersThe course will ensure you are confident in handling the basic functions of this powerful program.The ACP will provide computer workstations for all students during the class.This course runs at the same time on the same day- every week over five weeks with a maximum class size of seven participants. Prerequisites and RequirementsThis course requires no previous experience.Photoshop CC for practice at homeNotebook and penA USB for saving workPlease review our FAQ for terms and conditions of enrolment.A bundle discount of 15% is available if you enrol in multiple classes. Email workshop@acp.org.au for more information.Introduction to Adobe Photoshop is also available as an online class- check out dates and enrolment details HERE!

There's a kind of innocence and earnestness to looking up at the clouds. It's something we do as children - searching for shapes- glimpses of meaning that might suddenly give form to the expansive and changing sky. This yearning to explore and make sense of our world is lost as we grow. When we're not looking down- we look up and feel suddenly small- distant to whatever lays beyond and at the same time- completely at its mercy.It's this notion of the sublime that Jackson Farley uses as the backdrop to his work- but rather than surrendering to these systems of value at play- he peers through - poking and prodding- making fun and inserting his own narrative.His images- taken on his iPhone and blown up 17 times to scale- are riddled with Jackson's mark making- zany loose drawings overlay the forms of clouds- rock faces and flowers and he uses text to give voice to the anecdotes and narratives at the heart of each work. Whether it's 'i miss you' sprawled out over the heavens or lyrics to Taylor Swifts 'We Are Never Ever Getting Back Together' tagged onto 'Jesus' tomb'- each mark becomes a catharsis and speaks to a kind of universal history - a mourning for naivety- lost love and family departed.In Jackson's video work- which shares the exhibition's title- we see a tangible 69th edit of the Bible. The Old and New Testaments are collaged together with the artist's personal narrative to create a hypnotic world that embellishes the fantastical nature of the original text. The crucifix that Jesus died on finds its voice and 'naughty' escapades ensue in the party to end all parties- where the faithful are turned into 'techno fish' and father and son finally have that much needed talk.Using irony- afforded by combining seemingly 'pure' and 'impure' imagery and text- Jackson channels the subliminal and parodies the way in which we see ourselves and our world. With the crudeness of slapstick- schoolboy humour and sexual innuendo- this body of work speaks to the irony of religion- god and notions thereof- whilst also conversely- being just as sentimental- heart-felt and self-reflective.In many ways- TESTAMENT PT. XXXXXXVIIII plays with value: we search for identifiable shapes in the clouds- find ourselves in the lyrics of Taylor Swift songs and we cannot help but identify the number 69 with oral sex. These dualisms almost appear as compulsions- competing for primacy within the spaces of image and video- one sitting alongside the other. They speak to the pathos and hierarchy of Catholicism- whilst also pointing out its irrevocable contradictions.Covid-19 guidelinesIn light of the Covid crisis and to ensure your safety we request that all visitors register upon entry and maintain social distancing. Private viewings can be arranged call or email the gallery to book a time.

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Jackson Farley: TESTAMENT PT. XXXXXXVIIII 2020

There's a kind of innocence and earnestness to looking up at the clouds. It's something we do as children - searching for shapes- glimpses of meaning that might suddenly give form to the expansive and changing sky. This yearning to explore and make sense of our world is lost as we grow. When we're not looking down- we look up and feel suddenly small- distant to whatever lays beyond and at the same time- completely at its mercy.It's this notion of the sublime that Jackson Farley uses as the backdrop to his work- but rather than surrendering to these systems of value at play- he peers through - poking and prodding- making fun and inserting his own narrative.His images- taken on his iPhone and blown up 17 times to scale- are riddled with Jackson's mark making- zany loose drawings overlay the forms of clouds- rock faces and flowers and he uses text to give voice to the anecdotes and narratives at the heart of each work. Whether it's 'i miss you' sprawled out over the heavens or lyrics to Taylor Swifts 'We Are Never Ever Getting Back Together' tagged onto 'Jesus' tomb'- each mark becomes a catharsis and speaks to a kind of universal history - a mourning for naivety- lost love and family departed.In Jackson's video work- which shares the exhibition's title- we see a tangible 69th edit of the Bible. The Old and New Testaments are collaged together with the artist's personal narrative to create a hypnotic world that embellishes the fantastical nature of the original text. The crucifix that Jesus died on finds its voice and 'naughty' escapades ensue in the party to end all parties- where the faithful are turned into 'techno fish' and father and son finally have that much needed talk.Using irony- afforded by combining seemingly 'pure' and 'impure' imagery and text- Jackson channels the subliminal and parodies the way in which we see ourselves and our world. With the crudeness of slapstick- schoolboy humour and sexual innuendo- this body of work speaks to the irony of religion- god and notions thereof- whilst also conversely- being just as sentimental- heart-felt and self-reflective.In many ways- TESTAMENT PT. XXXXXXVIIII plays with value: we search for identifiable shapes in the clouds- find ourselves in the lyrics of Taylor Swift songs and we cannot help but identify the number 69 with oral sex. These dualisms almost appear as compulsions- competing for primacy within the spaces of image and video- one sitting alongside the other. They speak to the pathos and hierarchy of Catholicism- whilst also pointing out its irrevocable contradictions.Covid-19 guidelinesIn light of the Covid crisis and to ensure your safety we request that all visitors register upon entry and maintain social distancing. Private viewings can be arranged call or email the gallery to book a time.

Every Saturday Kings Cross Market in Fitzroy Gardens offers you the freshest food and gourmet produce you can buy! Chat with the providers make friends and enjoy the ambience of mixing with your neighbours at Sydney's happiest marketplace.On Sundays- meet your friends for brunch or lunch! Choose from the delicious array of excellent food stalls and have a picnic on the grass. Check out the exciting stalls of designers offering antiques- and art by local artists and artisans.You never know quite what you will discover on the weekends at Kings Cross Market!Saturday and Sunday… rain or shine!Parking is available nearby at Kings Cross Car Park.

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Kings Cross Market 2020

Every Saturday Kings Cross Market in Fitzroy Gardens offers you the freshest food and gourmet produce you can buy! Chat with the providers make friends and enjoy the ambience of mixing with your neighbours at Sydney's happiest marketplace.On Sundays- meet your friends for brunch or lunch! Choose from the delicious array of excellent food stalls and have a picnic on the grass. Check out the exciting stalls of designers offering antiques- and art by local artists and artisans.You never know quite what you will discover on the weekends at Kings Cross Market!Saturday and Sunday… rain or shine!Parking is available nearby at Kings Cross Car Park.

LinkedIn is an unbelievably powerful tool for individuals and businesses to grow and communicate a brand- connect with inspiring people- develop a cultivated professional network- generate revenue- drive website traffic and much more.In this panel event- we'll be joined by some amazing thought leaders- entrepreneurs and innovators who know how to leverage the power of LinkedIn- and have established themselves as LinkedIn experts. You'll walk away with tips- tricks and strategies to make your own profile standout- and to bring success to your brand or business!TakeawaysHear tips on how to optimize your LinkedIn profile and make it stand outLearn strategies to help you grow your professional network- and understand how this can help your career developmentFind out how you can use LinkedIn to grow your brand- whether personal or businessBriefly explore how LinkedIn can help drive traffic to your website and generate leads and revenue

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Leverage the Power of LinkedIn 2020

LinkedIn is an unbelievably powerful tool for individuals and businesses to grow and communicate a brand- connect with inspiring people- develop a cultivated professional network- generate revenue- drive website traffic and much more.In this panel event- we'll be joined by some amazing thought leaders- entrepreneurs and innovators who know how to leverage the power of LinkedIn- and have established themselves as LinkedIn experts. You'll walk away with tips- tricks and strategies to make your own profile standout- and to bring success to your brand or business!TakeawaysHear tips on how to optimize your LinkedIn profile and make it stand outLearn strategies to help you grow your professional network- and understand how this can help your career developmentFind out how you can use LinkedIn to grow your brand- whether personal or businessBriefly explore how LinkedIn can help drive traffic to your website and generate leads and revenue

Vermilion Art is pleased to announce its first solo exhibition by acclaimed Chinese artist- Li Jin.To Live [It Up] has been curated by leading art critic- John McDonald- a long-term admirer of his work.From 2001-2013 Li Jin's brush-and-ink paintings were exhibited in Sydney- with great success- by the late Ray Hughes. Over the past decade Li Jin has become a global favourite- exhibiting extensively in museums and private galleries in China- Europe and the United States- where his work has been acquired by institutions such as the Metropolitan Museum of Art- New York and the Boston Museum of Fine ArtsChinese ink painting may conjure up thoughts of serene- landscapes- flowers and birds- but Li Jin takes a very different approach. Although he is steeped in tradition- and master of many techniques- his pictures are bold- whimsical and sensual - hedonistic celebrations of the pleasures of food- drink and sex - seen through a frame of self-deprecating humour.To Live [It Up]features 38 works- including a suite of 20 small- idiosyncratic coloured ink paintings- eight ink sketches incorporating his distinctive calligraphy- two painted fans- five semi-abstract ink pieces- two large- scale works on paper and one magnificent scroll painting.According to John McDonald- To Live [It Up] has a message that relates to both China's recent history and the COVID-19 outbreak: 'Having come through the hard times- we should make the most of the good times.' Or as Li Jin himself puts it: 'My appetite for life and my desire to express myself have not been diminished by the pandemic. The uncertainties have been a good test for me to keep faith in art and life.' We are COVID Safe business. For enquiries please contact us at info@vermilionart.com.au

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Li Jin: To Live [It Up] 2020

Vermilion Art is pleased to announce its first solo exhibition by acclaimed Chinese artist- Li Jin.To Live [It Up] has been curated by leading art critic- John McDonald- a long-term admirer of his work.From 2001-2013 Li Jin's brush-and-ink paintings were exhibited in Sydney- with great success- by the late Ray Hughes. Over the past decade Li Jin has become a global favourite- exhibiting extensively in museums and private galleries in China- Europe and the United States- where his work has been acquired by institutions such as the Metropolitan Museum of Art- New York and the Boston Museum of Fine ArtsChinese ink painting may conjure up thoughts of serene- landscapes- flowers and birds- but Li Jin takes a very different approach. Although he is steeped in tradition- and master of many techniques- his pictures are bold- whimsical and sensual - hedonistic celebrations of the pleasures of food- drink and sex - seen through a frame of self-deprecating humour.To Live [It Up]features 38 works- including a suite of 20 small- idiosyncratic coloured ink paintings- eight ink sketches incorporating his distinctive calligraphy- two painted fans- five semi-abstract ink pieces- two large- scale works on paper and one magnificent scroll painting.According to John McDonald- To Live [It Up] has a message that relates to both China's recent history and the COVID-19 outbreak: 'Having come through the hard times- we should make the most of the good times.' Or as Li Jin himself puts it: 'My appetite for life and my desire to express myself have not been diminished by the pandemic. The uncertainties have been a good test for me to keep faith in art and life.' We are COVID Safe business. For enquiries please contact us at info@vermilionart.com.au

Monica Trapaga is a consummate performer- her warmth and wit instrumental to her success as an entertainer and jazz singer and featuring in major festivals across the world. She has described her 'fairly crazy Latin family' as instrumental in developing her musical tastes and influencing her exploration of a range of contemporary styles performing with jazz- pop and big bands. A born entertainer- this veteran performer has covered a plethora of musical styles and settings- from lounge to swing and Afro-Cuban big band- delighting audiences. Her latest venture featuring this high-energy classic piano trio- evokes feel good jazz with tight arrangements and groovy pockets.Monica Trapaga (vocals) Andrew Scott (piano) Max Alduca (bass) Tim Geldens (drums)Special Support: Tessie Overmyer TrioOne of the most exciting alto players to emerge recently- saxophonist Tessie Overmyer brings a soulful- late-night feel to her approach at just 19 years old. Smouldering horn lines burn through charming arrangements- free of pretence. A traditional sense of musicianship and a strong sense of melody permeates Overmyer's compositions- with a maturity to her playing and phrasing that belies her youth.Covid-safe measuresDo not attend if you are feeling unwell. Shows will be seated and limited to 60 per sitting- with patrons seated to allow for social distancing. Please adhere to social distancing at all times and follow direction from venue staff. The venue will be taking a number of precautionary measures to ensure patron safety- including: Hand sanitiser dispensers- signage and social distancing markers throughout the venue- and regular sanitising of the venue and facilities.

Expired

Monica Trapaga + The Pocket Trio 2020

Monica Trapaga is a consummate performer- her warmth and wit instrumental to her success as an entertainer and jazz singer and featuring in major festivals across the world. She has described her 'fairly crazy Latin family' as instrumental in developing her musical tastes and influencing her exploration of a range of contemporary styles performing with jazz- pop and big bands. A born entertainer- this veteran performer has covered a plethora of musical styles and settings- from lounge to swing and Afro-Cuban big band- delighting audiences. Her latest venture featuring this high-energy classic piano trio- evokes feel good jazz with tight arrangements and groovy pockets.Monica Trapaga (vocals) Andrew Scott (piano) Max Alduca (bass) Tim Geldens (drums)Special Support: Tessie Overmyer TrioOne of the most exciting alto players to emerge recently- saxophonist Tessie Overmyer brings a soulful- late-night feel to her approach at just 19 years old. Smouldering horn lines burn through charming arrangements- free of pretence. A traditional sense of musicianship and a strong sense of melody permeates Overmyer's compositions- with a maturity to her playing and phrasing that belies her youth.Covid-safe measuresDo not attend if you are feeling unwell. Shows will be seated and limited to 60 per sitting- with patrons seated to allow for social distancing. Please adhere to social distancing at all times and follow direction from venue staff. The venue will be taking a number of precautionary measures to ensure patron safety- including: Hand sanitiser dispensers- signage and social distancing markers throughout the venue- and regular sanitising of the venue and facilities.

A comedy showcase of established and emerging comedians. They'll try out new jokes- and maybe polish some of their old ones. Either way- you'll have an amazing time!Your $15 ticket includes a house drink! Wow- what amazing value for a hilarious night out.Doors open at 7:30pm for showtime at 8pm.

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New Bit Comedy 2020

A comedy showcase of established and emerging comedians. They'll try out new jokes- and maybe polish some of their old ones. Either way- you'll have an amazing time!Your $15 ticket includes a house drink! Wow- what amazing value for a hilarious night out.Doors open at 7:30pm for showtime at 8pm.


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