Tag: Covid

Re-construction brings together artists- one community group and two curators to reread the legacy of Jack Mundey and the Green Bans. Jack Mundey's whole life was one giant spatial project. But he didn't need art to do what he did- he had the context of the union movement. Discussing Jack Mundey's concept of green bans and public space as a 'spatial project' in an art context- is implying a common link between the union movement and art- which makes us aware of the way both offer room for alternative thinking or challenges to mainstream thinking.Sydney's Green Bans were the world's first urban uprising over planning- heritage and housing justice. In 1971- an alliance of builders' labourers and musicians- wharfies and artists- pensioners and the suburban middle class made history. Mundey secretary of the Builders' Labourers' Federation- led his comrades to the environmental barricades in June 1971 alongside a united group of 'middle-class women' from Hunters Hill who fought to save a remnant of Sydney Harbour bush. This was the first of a series of important intersectional alliances with communities. It became a new political model. At the time Mundey was a non-doctrinaire communist who later joined the Greens party.Re-construction re-enacts and re-animates texts and slogans from the unofficial archives that record sit-ins or peace marches for civil rights- gay and lesbian or women's rights and environment movements. In this case a portion of Jack Mundey's papers donated to the Trades Hall Collection are reviewed at Sydney Trades Hall.Green Bans embraced other heritage suburbs- most of them working class and many involving saving low-cost or public housing but the Builders' Labourers' Federation fought targeted battles for the rights of women- Aboriginals and gays. The establishment Sydney Morning Herald was quick to call them 'mere builders' labourers' and 'proletarian town planners'- just conservationists were called 'mere housewives'. From Kellys Bush onwards- the green ban era was just 4 years until the de-registration of the NSW Builders Labours' Federation. The additional year dedicates 1975 to their legacy: the renewal of Woolloomoolloo Public Housing- proudly declared a 'world leader' for its architecture and consultation model.COVID-19 Safety Plan - Museums and galleriesWe follow NSW Health Guidelines. Wellbeing of staff- volunteers and visitors: Information and training on COVID-19- including when to get tested- physical distancing and cleaning is provided.Physical distancing: Entry signage advising 1.5 metres social distance- Maximum of 10 visitors. (More generous than one visitor per 4 square metres of space).Hygiene and cleaning: All resting points have sanitiser- bathroom has soap- sanitiser and paper towels- all surfaces cleaned twice daily.Recordkeeping: name and a mobile number or email address for all staff- volunteers- visitors is recorded for a period of at least 28 days.

Join jeweler Alice Whish at Gaffa for a jewellery studio workshop. Through the act of play we will renovate your jewellery box- discovering what you love to wear- repair- treasure and discard. We will use the items to inspire a new jewellery piece to make and design on the day. ‍You will need to select 6 to 10 pieces of your jewellery to bring to class (maximum)- a photograph of valuable jewellery items- or bring the cheapies and come and play.‍What might you take home at the end of the day:Cleaned and repackaged jewellery treasures- ready to store or give away.Repaired items if possible (earrings- brooches etc)A new item made from broken jewellery pieces-and orA design for a new piece of jewellery you would like to own- reusing part of something you brought to class. Knowledge required: Desire to restore your jewellery collection to a wearable state- no skills required.Due to social distancing regulations we are limited to allow 4 persons max in each of our classes. ‍It's important that all students wear face masks during classes when possible and have their own workshop apron. We ask that you remain home if you are unwell or- if in the last 14 days- you have experienced cold or flu symptoms- have returned from overseas or have been to or had contact with someone from a COVID hotspot.

The Salon des Refuses was initiated by the S.H. Ervin Gallery in 1992 in response to the large number of works entered into the Archibald Prize which were not selected for display in the official exhibition. The Archibald Prize is one of Australia's most high profile and respected awards which attracts hundreds of entries each year and the S.H. Ervin Gallery's 'alternative' selection has become a much-anticipated feature of the Sydney scene.Each year our panel is invited to go behind the scenes of the judging process for the annual Archibald Prize for portraiture and Wynne Prize for landscape painting and figure sculpture at the Art Gallery of New South Wales- to select an exhibition from the many hundreds of works entered in both prizes but not chosen for the official award exhibition.The Salon des Refuses exhibition at the S.H. Ervin Gallery has established an excellent reputation that rivals the selections in the 'official' exhibition- with works selected for quality- diversity- humour and experimentation- and which examine contemporary art practices- different approaches to portraiture and responses to the landscape.Visitors can vote in the Holding Redlich People's Choice Award.Covid-Safe informationWe are registered as a Covid Safe business and have new safety measures.All visitors are required to sign in on arrival if they do not have pre-booked tickets. On arrival- visitors must sign in using the QR code provided and on completion show staff confirmation that will be displayed at the end of the check in process. Visitors without a smartphone can sign in at the Front Desk.What are we doing to make our venue safelimited the number of visitors in line with the 4 sqm per person and have introduced timed entry to reduce queues.taking the contact details of all visitors in case contact tracing is necessary.installed hand sanitising units and increasing our cleaning regime to thoroughly clean all touch points regularly throughout the day.removed some seating and other touchable items- including paper brochures.

SEDITION 2020 is an art trail that populates windows in Sydney's CBD and inner Sydney. Our only hope is art!Everyone's talking about transphobia- xenophobia- Sino phobia.- the killer flu. Everyone's talking black lives matter- cancel culture- Trump steaks- civil war and chai latte. We're all wearing activewear- running on hydrogen- harvesting metadata- masticating vegan pizza and looking like bandits.SEDITION 2020 has put the call out to a range of artists to explain just that.This year SEDITION will pivot into an art trail- that takes art out of the galleries and into the streets where works will stimulate debate in the community. In this first- the SEDITION art trail will populate 16 shopfront windows across the city.The artists who have joined with us include: Imants Tillers- Brooke Andrew- Blak Douglas- Reg Mombassa- Julie Rapp- Luke Sciberras Tamara Dean- Claudia Chan Shaw- Jason Wing- Destiny Deacon- Stu Spence- Toby Zoates- Meg Hewitt- Anne Zahalka- Fiona Lowry and Fiona Hall.The works are beautiful- but they are also related to issues in the public discourse - Black Lives Matter- sexism- anti-science- Australia v China- climate change and the toxic side of Australian culture. They are more than pretty pictures.The SEDITION art festival is in its second year. The core of SEDITION 2020 is the art trail that snakes through Sydney displaying some of Australia's best and most provocative artists. COVID-19 has hollowed out Sydney's public spaces and markets and it is in these phantom spaces that art shoots up with hope and beauty and defiance. It's a mean old world now and the hands of joyless repression have grasped our collective necks.Our only hope is art.

Seed Stitch Contemporary Textile Award 2020 is a biennial exhibition produced and presented by Australian Design Centre in partnership with the Seed Stitch Collective.This year the competition attracted 49 entries from NSW textile artists and the exhibition features outstanding work by the 25 finalists. Artists: Ali Noble | Alison Giles | Amy Jones | Barbara Rogers | Brenda Livermore |  Catherine Farry | Chris Hutch | Christina Newberry | Christine Wiltshier | Denise Lithgow | Elizabeth West | Gabrielle Mordy | Irene Manion | Jane Theau | Kelcie Bryant-Duguid | Liz Williamson | Melinda Young | Nicole Robins | Regina Krawets | Sairi Yoshizawa | Sarah Edmondson | Sue Jo Wright | Susan Fell | Suzanne Davey | Tina FoxWe are following the NSW Health COVID-19 Safety Industry Guidelines for museums and galleries to keep our guests and staff safe.

The Running Joke Comedy Club has headline shows every Thursday and Friday in October inside a secret basement bar in Darlinghurst.Each show consists of 4 of Australia's best stand-up comedians with resident compere Daniel Muggleton. Daniel is one of the rising stars of Australian comedy- having his debut special 'Let's Never Hang Out' air on ABC Comedy in 2019- in addition to appearing on The Feed and supporting Jim Jefferies & Steve Hofstetter on tour.Previous acts include: Luke Heggie- Nikki Britton- John Cruckshank- Sam Taunton- Sarah Gaul- Tom Cashman & More!Thursday 29 October: Becky Lucas- Dane Simpson- Billy D'arcy & Fady Kassab (book here)Friday 30 October: Sarah Gaul- Cameron Duggan & Dane Simpson (book here)Thursday 5 November: John Cruckshank- Stephanie Broadbridge- Patrick Golamco & Lizzy Hoo (book here)The show starts at 8:00pm- with doors opening 7:00pmPlease arrive no later than 7:30pm so we can seat everybody in line with social distancing regulations. Cocktails and Greek mezze plates are available throughout the show.Limited seating due to COVID so booking ahead is essential.

Art2Muse Gallery presents 'New Beginnings' by Conchita Carambano.Conchita Carambano's style is highly recognisable and yet profoundly enigmatic. There is an elegance and a maturity in Conchita's abstract paintings infused by an instinctive gift with colour- line and form. The Australian landscape- our earth- have been a constant source of inspiration. It has fuelled her exploration and creativity.Her vehicle for expression has been boundary-less- and the potency of her work has fuelled an extraordinary career that continues to gather momentum. Awards- acquisitions- civic and corporate commissions- solo exhibitions and the attention of private collectors in Australia- Asia and the Middle East punctuate Conchita's burgeoning 30 year career.'When I start a painting- I focus on an idea or experience I once encountered- and let my feelings take control. At times the reaction I get is that the painting starts to take on a completely new direction to the initial one I had in mind. It takes on its own character as it were- however I am its creator and to this extent I have complete control over the end result. Because I detect this 'character'- I'm able to detect the new direction that the painting is taking and stay in complete control of its final outcome. I feel this is important to an artist. I can honestly say that when I paint a painting based on a sad feeling- I can always look at it and find it very beautiful and rewarding.' - Conchita CarambanoCovid-19 guidelinesArt2Muse is a registered Covid safe business and we can accommodate up to 6 guests in the gallery. If you are unwell- we kindly ask you stay home until you are feeling better.All artworks are available to view online and we offer a range of complimentary contactless services. Please email us for further information.

A fun and fabulous way to learn this beautiful art form!For beginners who have a minimum of 2+ years Flamenco.This class allows us to focus on drills and choreography at faster pace than the introductory level. We work on alignment and safe dance practice- musicality and rhythm based techniques and a contemporary approach and understanding of flamenco art.About Annalouise PaulAnnalouise Paul is a trained dance teacher and award-winning choreographer-dancer with broad experience working for Michael Jackson and LA Opera to NSW Dept of Education and Sydney Eisteddfods.What to wear: Loose clothing- shoes or boots with a heel.All Covid safety rules appl. You will be asked to sign in and social distance 2 metres apart in the studio. A Covid plan has been approved for Dance.

This course is suitable for students who have completed a beginners class or have some prior knowledge of jewellery making.The course is set at your own pace- allowing you to work on your own designs and projects under the supervision of a tutor. Advanced techniques may be demonstrated- which could include metal inlay and granulation.Felix Gill is a graduate from Enmore Design Centre and from The Sydney College of Arts- where he studied jewellery and objects. An exhibiting contemporary jewellery practitioner- Felix will guide you through your projects- assisting with technics to achieve your outcomes.Covid-safe measuresDue to social distancing regulations we are limited to allow 4 persons max in each of our classes. Priority will be given to students already enrolled in prior to lock-downs and class allocation will then be first in- best dressed basis. Schedules and classes have changed slightly. So please take the time to look through the class options and schedules below. Please email with 2 options if there more than one day to choose from.It's important that all students wear COVID Safe face masks during classes when possible and have their own workshop apron. We ask that you remain home if you are unwell or- if in the last 14 days- you have experienced cold or flu symptoms- have returned from overseas or have been to or had contact with someone from a COVID hotspot.