Tag: Language

Tag: Language events

Nov 2020 Virtual Events 3 major events, other happenings, prizes & free parking

Expired

Nov 2020 Virtual Events at Fed Sq

Nov 2020 Virtual Events 3 major events, other happenings, prizes & free parking

Lilthai Dreaming is an exhibition of Indigenous Australian Art encompassing paintings- bark paintings- and ceramicsBibi Barba - Saltwater Women-Woka Woka- Dungutti- Cammeraygal- Gadigal- Yuin Nation 'Like many artists- my work tells a story. It's about my connection to family- to the land- where I was born- my struggles and triumphs.'Warnayaka Collection Warnayaka Art Centre is located in the community of Lajamanu- 580kms south west of Katherine- Northern Territory in the Tanami desert.The most important thing expressed by the artists across the generations is the need to preserve and pass on the knowledge of Warlpiri culture. This encompasses not only art- but includes language- social structure- law and country.Lorna Morgan Biddy Yulngarri Jurrah-LongRosie Murnku Mark TasmanMyra Patrick HerbertJudy MartinKitty Napanangka SimonElizabeth Nungarrayi RossBiddy Timms NapanangkaMolly Jinjingarli TasmanLily HargreavesThe safety of our visitors- artists- teachers- staff and volunteers is vital.We are observing strict physical distancing and hygiene measures to protect the health of visitors and staff and minimise the spread of Covid-19.These include enhanced cleaning regimes- social distancing and limits on the number of people in the gallery- sanitiser and hand washing facilities and changes to our class sizes.Don't visit if you're unwell or- if in the last 14 days- you have experienced cold or flu symptoms- have returned from overseas or have been to or had contact with someone from a Covid hotspot. Visitors are required to provide their name and contact details on arrival at the Gallery- to support contact tracing in line with NSW Health rules and our Covid-Safe plan.floor markings and signage to help visitors maintain safe distances.There are limits on the number of visitors overall and the Gallery space has its maximum capacity- based on the rule of 1 person per 4 square metres.Please don't touch the artworks.We are also available for private viewings of our exhibitions by prior arrangement.

Expired

Lilthai Dreaming 2020

Lilthai Dreaming is an exhibition of Indigenous Australian Art encompassing paintings- bark paintings- and ceramicsBibi Barba - Saltwater Women-Woka Woka- Dungutti- Cammeraygal- Gadigal- Yuin Nation 'Like many artists- my work tells a story. It's about my connection to family- to the land- where I was born- my struggles and triumphs.'Warnayaka Collection Warnayaka Art Centre is located in the community of Lajamanu- 580kms south west of Katherine- Northern Territory in the Tanami desert.The most important thing expressed by the artists across the generations is the need to preserve and pass on the knowledge of Warlpiri culture. This encompasses not only art- but includes language- social structure- law and country.Lorna Morgan Biddy Yulngarri Jurrah-LongRosie Murnku Mark TasmanMyra Patrick HerbertJudy MartinKitty Napanangka SimonElizabeth Nungarrayi RossBiddy Timms NapanangkaMolly Jinjingarli TasmanLily HargreavesThe safety of our visitors- artists- teachers- staff and volunteers is vital.We are observing strict physical distancing and hygiene measures to protect the health of visitors and staff and minimise the spread of Covid-19.These include enhanced cleaning regimes- social distancing and limits on the number of people in the gallery- sanitiser and hand washing facilities and changes to our class sizes.Don't visit if you're unwell or- if in the last 14 days- you have experienced cold or flu symptoms- have returned from overseas or have been to or had contact with someone from a Covid hotspot. Visitors are required to provide their name and contact details on arrival at the Gallery- to support contact tracing in line with NSW Health rules and our Covid-Safe plan.floor markings and signage to help visitors maintain safe distances.There are limits on the number of visitors overall and the Gallery space has its maximum capacity- based on the rule of 1 person per 4 square metres.Please don't touch the artworks.We are also available for private viewings of our exhibitions by prior arrangement.

Boomalli Aboriginal Artists Co-operative's primary goal is to promote Aboriginal Artists whose language groups exist in the NSW state boundaries. We support- promote- educate and protect copyright for our members. Boomalli strives to improve access for Aboriginal Artists from both regional and metropolitan NSW. Boomalli has a current membership base of 50 Artists. Approximately a third are emerging Artists and over half of our membership consists of regional Artists. Our key philosophy is to assist Aboriginal Artists from NSW with a divergent and professional skill set- that can only be derived from first hand experience. The installation- promotion and delivery of artwork to the Co-operative is a fundamental foundation for the success not only of the individual Artists- but allows for a wider net of success for the Co-operative as a whole. Our aims are to enhance and embrace new opportunities for NSW language group Artist members. We work diligently to support our regional Artists specifically to assist in supporting them in the social equity space.

Expired

Boomalli Aboriginal Art Gallery 2020

Boomalli Aboriginal Artists Co-operative's primary goal is to promote Aboriginal Artists whose language groups exist in the NSW state boundaries. We support- promote- educate and protect copyright for our members. Boomalli strives to improve access for Aboriginal Artists from both regional and metropolitan NSW. Boomalli has a current membership base of 50 Artists. Approximately a third are emerging Artists and over half of our membership consists of regional Artists. Our key philosophy is to assist Aboriginal Artists from NSW with a divergent and professional skill set- that can only be derived from first hand experience. The installation- promotion and delivery of artwork to the Co-operative is a fundamental foundation for the success not only of the individual Artists- but allows for a wider net of success for the Co-operative as a whole. Our aims are to enhance and embrace new opportunities for NSW language group Artist members. We work diligently to support our regional Artists specifically to assist in supporting them in the social equity space.

Little Mandarin is an intimate and inclusive yoga and pilates studio. It offers traditional mat yoga- aerial yoga- and m...

Expired

Little Mandarin Yoga & Pilates 2020

Little Mandarin is an intimate and inclusive yoga and pilates studio. It offers traditional mat yoga- aerial yoga- and m...

The international platform for the support- exhibition and production of audiovisual dance Fiver promotes choreographic-audiovisual creation by promoting the professionalization of the film dance genre with the organization- since 2012- of an internationally renowned annual festival: FIVER.After the success of FIVER 2019- which celebrated its seventh edition with actions in Logrono and Madrid- its two main venues- this 2020 and for the second consecutive year- the Fiver-Cervantes program is being carried out within the festival- with a Selection of works by Spanish and Latin American creators and curated by Samuel Retortillo- wants to offer a current vision of audiovisual dance through works that have been produced by Fiver or that have been finalists in its international competition.The works of prestigious Spanish film directors of three generations are a perfect selection to show how cinedance has become a language of specific movement- where the creator brings dance to life through the screen. There are five works that can be enjoyed at Fiver-Cervantes 2020: the winner of the special FIVER 2019 award- I Love the Maids for Unreal- by Sofia Castro (Argentina)- the finalist- Babelian Circles- by Ferrand Romeu- and the collaborative works Fiverlabs 2019- Body to Body 2.0- coordinated by Esteban Crucci and Jordi Cortes- Wine or Grape ?- coordinated by Álex Pachon- and Bailaora- by Rubin Stein.This program is expanded with «Confined Bodies»- a series of videos that have been made during confinement- in order to analyze and give value to the creative proposals carried out during this period- by authors of the stature of Elias Aguirre- Richar Mascherin- Asun Noales- Alex Pachon- Jesus Rubio- Antonio Ruz- Guido Sarli and Pablo Venero.This comprehensive program will be presented within the framework of the Baila Espana festival in Bremen- which- in addition to its face-to-face celebration- will have a digital version this year- in which a wide variety of online activities will be offered- which will be accessible to all users of the Instituto Cervantes network of centers.

Expired

Fiver 2020 International Film- Dance and New Media Festival

The international platform for the support- exhibition and production of audiovisual dance Fiver promotes choreographic-audiovisual creation by promoting the professionalization of the film dance genre with the organization- since 2012- of an internationally renowned annual festival: FIVER.After the success of FIVER 2019- which celebrated its seventh edition with actions in Logrono and Madrid- its two main venues- this 2020 and for the second consecutive year- the Fiver-Cervantes program is being carried out within the festival- with a Selection of works by Spanish and Latin American creators and curated by Samuel Retortillo- wants to offer a current vision of audiovisual dance through works that have been produced by Fiver or that have been finalists in its international competition.The works of prestigious Spanish film directors of three generations are a perfect selection to show how cinedance has become a language of specific movement- where the creator brings dance to life through the screen. There are five works that can be enjoyed at Fiver-Cervantes 2020: the winner of the special FIVER 2019 award- I Love the Maids for Unreal- by Sofia Castro (Argentina)- the finalist- Babelian Circles- by Ferrand Romeu- and the collaborative works Fiverlabs 2019- Body to Body 2.0- coordinated by Esteban Crucci and Jordi Cortes- Wine or Grape ?- coordinated by Álex Pachon- and Bailaora- by Rubin Stein.This program is expanded with «Confined Bodies»- a series of videos that have been made during confinement- in order to analyze and give value to the creative proposals carried out during this period- by authors of the stature of Elias Aguirre- Richar Mascherin- Asun Noales- Alex Pachon- Jesus Rubio- Antonio Ruz- Guido Sarli and Pablo Venero.This comprehensive program will be presented within the framework of the Baila Espana festival in Bremen- which- in addition to its face-to-face celebration- will have a digital version this year- in which a wide variety of online activities will be offered- which will be accessible to all users of the Instituto Cervantes network of centers.

Cloud Studies is the first solo exhibition in Australia by Forensic Architecture- a research agency comprised of architects- artists- filmmakers- journalists- scientists- lawyers and other specialists who undertake investigations into human rights abuses- state violence and environmental crimes around the world.Using the disciplinary tools of both architecture and forensics- Forensic Architecture have given rise to a new form of investigative practice that seeks to uncover- analyse and present evidence from the crimes of our recent past and consider the convergence of architecture- media- and violence.In Cloud Studies- Forensic Architecture contend with the interconnectedness of global atmospheres. The work brings together eight recent investigations under a single theme- toxic clouds. In a year of bushfire- pandemic and protest- where toxic clouds colonise the air we breathe and shape the way we connect- Cloud Studies presents evidence of perseverance and resistance.The exhibition is extended by related investigations and a publication- Responses to the Cloud- that explores the themes of Cloud Studies from a local context- with new writing by Joel Spring- Saba Bebawi- Jason De Santolo- Tom Melick- Nikki Lam- Thalia Anthony- Micaela Sahhar and curators Stella Rosa McDonald and Eleanor Zeichner. As part of our commitment to accessibility- audio recordings of these texts read by their authors are available below. Audio described tours of the exhibition are available on request.Covid-19 safetyWe want to keep you safe at UTS. Please follow these safety measures to safeguard the wellbeing of all our visitors.You must not visit UTS Gallery if you have: a cough- sore throat- fever- runny nose- loss of smell or loss of tastetravelled to a restricted area in the last 14 daysbeen diagnosed with Covid-19 or come into contact with someone who has been diagnosed in the last two weeksWhen at UTS Gallery you must: maintain 1.5 metres physical distance from others where possibleregister your contact details upon entry to UTS Gallery to enable contact tracing if necessaryuse the provided hand sanitiser at the entrance to the Galleryrespect those around you — pay attention to others' body language- take responsibility for your own behaviour and speak up if you feel uncomfortableGroups larger than 10 must be booked in advance by emailing utsgallery@uts.edu.au. Groups larger than 20 are not permitted.Further information on visiting UTS can be found at this information page.

Expired

Forensic Architecture- Cloud Studies 2020

Cloud Studies is the first solo exhibition in Australia by Forensic Architecture- a research agency comprised of architects- artists- filmmakers- journalists- scientists- lawyers and other specialists who undertake investigations into human rights abuses- state violence and environmental crimes around the world.Using the disciplinary tools of both architecture and forensics- Forensic Architecture have given rise to a new form of investigative practice that seeks to uncover- analyse and present evidence from the crimes of our recent past and consider the convergence of architecture- media- and violence.In Cloud Studies- Forensic Architecture contend with the interconnectedness of global atmospheres. The work brings together eight recent investigations under a single theme- toxic clouds. In a year of bushfire- pandemic and protest- where toxic clouds colonise the air we breathe and shape the way we connect- Cloud Studies presents evidence of perseverance and resistance.The exhibition is extended by related investigations and a publication- Responses to the Cloud- that explores the themes of Cloud Studies from a local context- with new writing by Joel Spring- Saba Bebawi- Jason De Santolo- Tom Melick- Nikki Lam- Thalia Anthony- Micaela Sahhar and curators Stella Rosa McDonald and Eleanor Zeichner. As part of our commitment to accessibility- audio recordings of these texts read by their authors are available below. Audio described tours of the exhibition are available on request.Covid-19 safetyWe want to keep you safe at UTS. Please follow these safety measures to safeguard the wellbeing of all our visitors.You must not visit UTS Gallery if you have: a cough- sore throat- fever- runny nose- loss of smell or loss of tastetravelled to a restricted area in the last 14 daysbeen diagnosed with Covid-19 or come into contact with someone who has been diagnosed in the last two weeksWhen at UTS Gallery you must: maintain 1.5 metres physical distance from others where possibleregister your contact details upon entry to UTS Gallery to enable contact tracing if necessaryuse the provided hand sanitiser at the entrance to the Galleryrespect those around you — pay attention to others' body language- take responsibility for your own behaviour and speak up if you feel uncomfortableGroups larger than 10 must be booked in advance by emailing utsgallery@uts.edu.au. Groups larger than 20 are not permitted.Further information on visiting UTS can be found at this information page.

The Korean Cultural Centre (KCC) presents an online lecture- 'Hangeul is Art' celebrating Hangeul Day (9 Oct) in Korea which commemorates the creation of the Korean alphabet- Hangeul by King Sejong the Great in 1446.One of the pioneers in the field of Hangeul design- Prof. Jae-Joon Han of Seoul Women's University will share his interpretation on the Hunminjeongeum Haerye (Explanations and Examples of the Korean Alphabet) based upon the information found in the book added with his imagination as an artist.Prof. Han has also invented 'CR Che'- a font that highlights Hangeul's simplicity while maximising its ability to expand by adding strokes to only 6 basic Hangeul letters (3 consonants- 3 vowels) to create all 24 letters of Hangeul- which then can be used to make syllables- words- phrases and even art works.While Hangeul has been recognised as an excellent writing system with its unique features- Prof. Han highly values its aesthetic- artistic and philosophical aspects that Hangeul is art as it is and has potential to near-limitless versatility.This lecture will be a rare opportunity to meet one of the most renowned Hangeul designers of Korea who will take you on a journey to appreciate the beauty of Hangeul and lead you to your own creation. Prof. Han emphasises that anyone can be a Hangeul designer and if you are unsure of how- he will show you the way.This online event does not require a previous knowledge of Korean language and will be livestreamed on the KCC's Facebook

Expired

Hangeul is Art: Online lecture 2020

The Korean Cultural Centre (KCC) presents an online lecture- 'Hangeul is Art' celebrating Hangeul Day (9 Oct) in Korea which commemorates the creation of the Korean alphabet- Hangeul by King Sejong the Great in 1446.One of the pioneers in the field of Hangeul design- Prof. Jae-Joon Han of Seoul Women's University will share his interpretation on the Hunminjeongeum Haerye (Explanations and Examples of the Korean Alphabet) based upon the information found in the book added with his imagination as an artist.Prof. Han has also invented 'CR Che'- a font that highlights Hangeul's simplicity while maximising its ability to expand by adding strokes to only 6 basic Hangeul letters (3 consonants- 3 vowels) to create all 24 letters of Hangeul- which then can be used to make syllables- words- phrases and even art works.While Hangeul has been recognised as an excellent writing system with its unique features- Prof. Han highly values its aesthetic- artistic and philosophical aspects that Hangeul is art as it is and has potential to near-limitless versatility.This lecture will be a rare opportunity to meet one of the most renowned Hangeul designers of Korea who will take you on a journey to appreciate the beauty of Hangeul and lead you to your own creation. Prof. Han emphasises that anyone can be a Hangeul designer and if you are unsure of how- he will show you the way.This online event does not require a previous knowledge of Korean language and will be livestreamed on the KCC's Facebook

To open this year's Brisbane Festival- they invite you to be part of a very special- city-wide smoking ceremony'Jumoo' m...

Expired

Jumoo (Smoking) 2020

To open this year's Brisbane Festival- they invite you to be part of a very special- city-wide smoking ceremony'Jumoo' m...

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